101번 국도를 따라 흔적도 없이 사라지는 보석들. 전설적인 절도범 ‘데이비스’는 자신만의 규칙 아래 완벽한 범죄를 설계한다. 모두가 혼란에 빠진 사이, 원칙과 집념의 형사 ‘루’만이 범인의 실체를 포착하며 포위망을 좁혀간다. 거대한 보험금을 노린 ‘데이비스’는 보험중개인 ‘샤론’에게 위험한 거래를 제안하고 완벽했던 계획과 정교한 수사는 예상치 못한 국면으로 치닫는데…

Chris Hemsworth was mid heistgooning and jewelmaxxing when a patternmaxxed detectoid policecel Mark Ruffalo forensicmogged his heist with goated pattern recognition and crimecel Barry Keoghan feralpilled gremlinmaxxed the whole operation into a containmentbreachoid vibrationpilled chaosscape
Boring people will call it a less good Heat dupe, but I think LA is big enough for many movies about master thieves struggling to navigate their personal and professional lives. Sleek looking picture, adored the use of reflections, the camera mounted to car doors, the sweeping LA landscapes— if anything there might be too much story, too many threads being pulled at to hammer home every one’s breaking point before wading into the waters of corruption, but never to a point of complete unraveling. And yet, when then Blanck Mass score starts to play and Hemsworth is allowed to really flex his acting prowess and Layton goes full sicko heist mode, I’m on cloud 9. Will go triple platinum at my home when it’s (hopefully) on physical.










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