Dans Crime 101, les cambriolages méticuleux à LA le long de l'autoroute 101 d'un voleur de bijoux chevronné (Chris Hemsworth) déconcertent la police. Un flic solitaire (Mark Ruffalo) est à ses trousses. Lorsque leurs chemins croisent celui d'une courtière en assurance désabusée (Halle Berry), tous trois sont confrontés à des choix déterminants face aux millions de dollars en jeu.


Chris Hemsworth was mid heistgooning and jewelmaxxing when a patternmaxxed detectoid policecel Mark Ruffalo forensicmogged his heist with goated pattern recognition and crimecel Barry Keoghan feralpilled gremlinmaxxed the whole operation into a containmentbreachoid vibrationpilled chaosscape
Boring people will call it a less good Heat dupe, but I think LA is big enough for many movies about master thieves struggling to navigate their personal and professional lives. Sleek looking picture, adored the use of reflections, the camera mounted to car doors, the sweeping LA landscapes— if anything there might be too much story, too many threads being pulled at to hammer home every one’s breaking point before wading into the waters of corruption, but never to a point of complete unraveling. And yet, when then Blanck Mass score starts to play and Hemsworth is allowed to really flex his acting prowess and Layton goes full sicko heist mode, I’m on cloud 9. Will go triple platinum at my home when it’s (hopefully) on physical.










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